“Bunny” follows four girls on the journey of a night out and captures emotional and social shifts represented by the motif of bunny ears. While relating to a collective experience of going out, we’re also embodying the individual experiences which both divide and unite us. The film captures the vulnerability of being damaged but in that, allowing ourselves to feel and accept the support that comes from the sisterhood that emerges in these gritty, potentially dangerous environments. Xoxo the bunnies
Madeleina Abrahams, Grace Delstanche, Maya Fish and Mina Meier — barely out of Trinity Laban Conservatoire — documented a carefree night on the town in the film BUNNY. They hit a seedy underground club and a fried chicken joint before scampering through a park, their white dresses glowing in the dark. In bright sunshine, the dresses hung drying on a laundry line, still stained from their adventures. The film is a pastoral tempered with a hint of violence: their world is beautiful but not benign.
- Carla Escoda, BACHTRACH
REQUIEM
in collaboration with Marceau Vauquelin "London Club"
Moonstone explores growing up too soon, the dissonance between childhood softness and premature awareness, particularly through the experience of being sexualised or perceived as older than you are. Rather than direct narrative, the piece works through aesthetic composition: whimsy and visual charm as a surface language, with more complex emotional undercurrents held quietly beneath. Memory is treated as fragmented and dreamlike, the body as an archive of what cannot easily be spoken. The work draws on Yoshitomo Nara's wide-eyed imagery, where innocence conceals something darker, reflected in Moonstone's recurring motif of glittering eyes, where sparkle becomes ambiguous: playful and volatile at once. Ana Mendieta's body-based practice informs the approach to the body as a site where memory and history are inscribed, not simply performed. Butterfly imagery runs throughout, transformation, fragility, and the constant shifting between child and adult, vulnerability and autonomy. Ultimately, Moonstone holds beauty and discomfort simultaneously, filtering difficult personal history through a gentle aesthetic to create space for resilience and the quiet weight of growing up too quickly.
"Withdrawal" is a video project based on the history of 90s British rave scene and drum & bass music. I wanted to depict the three stages of addiction: experimentation, dependance, and withdrawal. Eight dancers unleash themselves into movement, with the camera mimicking the disorientation of the scene.
Le Souk is a choreographic work inspired by a trip to Aourir, Morocco, with four friends from Chamonix. The title references both Moroccan markets and the French expression for beautiful chaos - a fitting metaphor for the piece's fragmented exploration of memory, identity, and transformation. The choreography draws from sensory memories of the trip: surfing, horseback riding, crowded souks, and the ever-present ocean. A multimedia canvas - built from plaster, twine, coins, and found objects - informed the movement language, with dancers accumulating gestures like layers of organised mess. Alter ego exercises invited performers to shed their everyday identities, mirroring the self-discovery of travel. The sound score, created with composer Gabriel Emery-Rowbotham, blends ambient textures, live DJing, and a bittersweet extract of We'll Meet Again. Layered costumes, shifting lighting, and stage smoke complete the immersive atmosphere. Le Souk is ultimately a living archive of shared experience - capturing the longing, chaos, and quiet transformation that travel leaves behind.
